Imagining a vision of the moon from Tarsila do Amaral, one immediately anticipates a scene steeped in the vivid, almost childlike dream logic of Surrealism, infused with the distinct spirit of Brazilian modernism she championed. As a leading Latin American modernist, do Amaral consistently pursued a nationalistic expression in her art. "The Moon" from 1928, classified under Naïve Art and Primitivism, strongly suggests simplified forms and bold, perhaps unexpected colors. We might envision a celestial body, possibly rendered with a primitive flatness or an almost cartoonish simplicity, hovering over a landscape that feels both familiar and deeply strange, echoing her unique blend of influences. This artwork, created the same year she inspired the Antropofagia movement, could subtly hint at a 'cultural cannibalism'—the absorption of European modernism into a uniquely Brazilian vision. What untold visual stories, beyond the title and movements, does this mysterious 'Moon' hold within do Amaral's powerful, modernistic narrative of identity?