It is striking to consider that one of the most extensive groups of religious artworks by any American artist comes from Andy Warhol. This series, simply titled "The Last Supper," created between 1985 and 1986, is a powerful reinterpretation based on Leonardo da Vinci's famed original. Given Warhol's association with Pop Art, the very concept of him tackling such a profoundly spiritual subject, and doing so on such a vast scale, presents a fascinating tension. These works are widely regarded as his final major body of work, and indeed, possibly his largest artistic endeavor overall. The decision to conclude his career with such a weighty and iconic religious image, filtered through his distinctive lens, hints at deeper reflections than one might initially expect from the Pop movement. While the precise visual details of this particular version are not specified in the sources, the very act of a Pop artist engaging with an image so ingrained in Western consciousness raises questions about commercialism, faith, and the nature of iconic imagery in a modern world. It makes you wonder how he might have transformed the familiar scene, pushing boundaries while simultaneously revering its profound legacy.