The very idea of "multiple" bunnies immediately evokes the Pop Art sensibility, a movement personified by Andy Warhol. In 1985, Warhol presented "Bunny Multiple," a work whose title alone promises a parade of repetitive imagery. It echoes his well-known approach to popular culture, similar to how he used "color silkscreen" for his 1967 "Marilyn" series, transforming iconic figures through duplication. While we understand the artist's engagement with themes of reproduction and popular iconography, the specific medium for "Bunny Multiple" remains unknown. This lack of detail leaves an intriguing blank space, forcing us to consider how Warhol's vision of multiplicity manifests without the familiar texture or vibrancy of a known technique. Does the unknown medium intensify the conceptual aspect, or does it hint at a departure from his usual methods, leaving us to imagine the particular visual language of these repeated "bunnies"?